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Sarah Anne Lobb
17 April 2008 through 24 May 2008
In the Project Space, Light & Sie is pleased to present an exhibition of new abstract paintings by Sarah Anne Lobb. . Based in Philadelphia, Lobb paints in a constructivist abstract style works that are typically small(er) scaled and that speak to the long tradition of non-representational painting. Lobb writes: “Imagery seems to specifically refer to pictures, which I do not prioritize in painting. The subject of a painting is made up of equal and connected pieces comprising a painting and those paintings are equal and separated pieces that comprise a whole work of art. I try not to think of these things in a hierarchical way.”
White Columns in New York writes: “Lobb’s idiosyncratic and mercurial works acknowledge a crooked painterly lineage that simultaneously evokes the casual precision of Raoul de Keyser, the joyful melancholia of Mary Heilmann, and the informal formalism of Bernard Frize. Lobb studied both painting and sculpture at undergraduate level, a dialogue that remains highly pertinent to her work’s underlying formal properties.”
17 April 2008 through 24 May 2008
In the Project Space, Light & Sie is pleased to present an exhibition of new abstract paintings by Sarah Anne Lobb. . Based in Philadelphia, Lobb paints in a constructivist abstract style works that are typically small(er) scaled and that speak to the long tradition of non-representational painting. Lobb writes: “Imagery seems to specifically refer to pictures, which I do not prioritize in painting. The subject of a painting is made up of equal and connected pieces comprising a painting and those paintings are equal and separated pieces that comprise a whole work of art. I try not to think of these things in a hierarchical way.”
White Columns in New York writes: “Lobb’s idiosyncratic and mercurial works acknowledge a crooked painterly lineage that simultaneously evokes the casual precision of Raoul de Keyser, the joyful melancholia of Mary Heilmann, and the informal formalism of Bernard Frize. Lobb studied both painting and sculpture at undergraduate level, a dialogue that remains highly pertinent to her work’s underlying formal properties.”
